Costel Zăgan is creating his territory, in „a citadel”, unitary, unbinds himself of any kind of reluctance, or aspect, that could jeopardize his world of authentic poetry, and he identifies himself with nature, and with the natural Romanian word, bringing our culture in blank pages, in a most unnatural way. An extraordinary example is his Gogyohka poem: „wounded vulture/ at the traffic light / spring goes on / and the angels / towards the green”.